- By Steve Exeter
- Published 01/27/2011
- Article Writing
Having heard the controversy surrounding Kick-Ass due to its portrayal of graphic violence involving a minor I wasn’t quite sure what to expect when I sat down to watch it for the first time. I’d actually delayed watching it over Christmas with the family as my father-in-law is particularly squeamish when it comes to the spilling of blood and guts. Not surprisingly the outcry by the film’s few detractors is pretty unfounded when you consider the highly stylised violence in the broader context of the film, which clearly has a moral compass intent on telling the bizarre tale of Dave, a bullied teenage geek and would-be “Good Samaritan” who takes on the roll of a Costumed Vigilante to protect the innocent and exact revenge for those whose lives have been destroyed by an evil drug lord. Kick-Ass is based on an 8 volume graphic novel written by Mark Millar and drawn by John Romita Jr. it was adapted for the screen by the film’s director Matthew Vaughan and Jane Goldman who also co-wrote Vaughan’s previous film the fantasy Stardust which was based on the Neil Gaiman book of the same name. Dave Lizewski (Aaron Johnson) is a typical comic book superhero fan who is regularly mugged for his lunch money. He muses over the question why has nobody ever tried to be a superhero in real life and becomes convinced that it’s his destiny to become a masked crusader. Having ordered a diving suit online and armed with only 2 batons he takes to the streets as “Kick-Ass” and attempts to fight crime rather unsuccessfully after he is knifed by an assailant and then hit by a car requiring metal implants to repair his numerous broken bones.
Undeterred by his hospitalisation Dave goes back to being a superhero and with little skill but plenty of courage he manages to fend off a group of 3 heavies who are beating up an individual as a crowd looks on, one of them films the incident on their mobile and uploads it to the Internet causing Ki
ck-Ass to become an overnight sensation bringing him to the attention of a former cop who was framed by the drug kingpin he had been investigating; whilst he’s in prison his devastated pregnant wife takes an overdoes but the doctors are able to deliver the unborn child before she dies. On his release the ex-cop takes custody of his now 5 year old daughter and vows to get their revenge by adopting the secret identities of “Big Daddy” and “Hit Girl” and taking down the gangsters one at a time. As Big Daddy Nicolas Cage apes the legendary Adam West’s Batman but outside of the costume he is a doting father to Mindy (Chloe Moretz) and their onscreen chemistry and dialogue provide the film’s most bizarre comic moments, but they also supply the heart and soul needed to contextualise the devastating intensity of their violent actions. These are desperate acts driven by loss and they illustrate the fact that victims of crime are not always compensated by an indifferent legal system and it seems that only vigilante action will mete out the rightful justice deserved by likes of Frank D’Amico, played by the incredibly adept Mark Strong.
Kick-Ass is a very funny and at times touching send up of society’s notion of the “superhero”, it is also a visual tour de force and for my money without a doubt Matthew Vaughan’s finest film to date. The Blu-ray edition looks gorgeous in full 1080p with an oversaturated colour palette befitting a movie based on a comic book, the blacks are deep and inky and the copious amount of scarlet never look washed out. The audio is also exemplary with a DTS-HD 7.1 mix which showcases the film’s eclectic soundtrack, one of the highlights for me was the truly inspired use of Elvis Presley’s 1970s recording An American Trilogy which reworked the “Battle Hymn of the Republic” to cue Kick-Ass’ arrival by jetpack to save Hit Girl creating a priceless, sublime, cinematic moment that actually gave me goosebumps! I’m not sure whether there is much more ground to be covered by the sequel but I’m looking forward to seeing Kick-Ass 2: Balls to the Wall next year.